Artforum April 2018 Vol. 56, No. 8 Va

HOTLINE BLING Kaitlin Phillips on The Rhonda Lieberman Reader KEEPING UP WITH THE JONES Melissa Anderson on Sophie Fiennes’s Grace Jones: Bloodlight and Bami OF TWO MINDS Amy Taubin on Steven Soderbergh’s Unsane SAME DIFFERENCE Malik Gaines on Julius Eastman A RIPPLE IN TIME Himali Singh Soin on the Dhaka Art Summit MARK E. SMITH Tobi Haslett on Mark E. Smith GRACEFULNESS MUST BE SOUGHT Jennifer Krasinski on Adrienne Kennedy’s He Brought Her Heart Back in a Box By Jennifer Krasinski Zeenat Nagree on performance art in Bangladesh By Zeenat Nagree Andrea Long Chu on Alex Norris’s Webcomic Name By Andrea Long Chu ONYX COLLECTIVE By Onyx Collective Rachel Churner on the art of Barbara Hammer Benjamin Paul on the art of Karin Sander By Benjamin Paul IN THE REALM OF THE SENSES James Quandt on the films of Lucrecia Martel By James Quandt INTO THE LIGHT By Kazuyo Sejima, Julian Rose CAROLINE MESQUITA By Mara Hoberman PAUL MAHEKE By Ciarán Finlayson Laura Owens, Untitled, 2015, acrylic, oil, and vinyl paint on linen, powder-coated aluminum strainers, five panels. Installation view, 2017–18. Photo: Ron Amstutz. NEW YORK LAURA OWENS Whitney Museum of American Art By Sarah K. Rich Laura Owens, Untitled, 1999, acrylic and oil on canvas, 102 × 122". FOCUS LAURA OWENS By Amy Sillman Raden Saleh, Lion Hunt, 1841, oil on canvas, 34 3/4 × 56". SINGAPORE “BETWEEN WORLDS: RADEN SALEH AND JUAN LUNA” National Gallery Singapore By Kevin Chua Peter Hujar, Boy on Raft, 1978, gelatin silver print, 14 x 11". © Peter Hujar Archive, LLC. NEW YORK PETER HUJAR The Morgan Library & Museum By Kaelen Wilson-Goldie THORNTON DIAL David Lewis | 57 Walker St By Barry Schwabsky CHANNA HORWITZ Lisson Gallery | 508 West 24th Street | New York By Annie Godfrey Larmon CARISSA RODRIGUEZ SculptureCenter By Rachel Churner HANNAH LEVY C L E A R I N G By Colby Chamberlain ENZO CAMACHO AND AMY LIEN 47 Canal By Nicolas Linnert ILANA HARRIS-BABOU Larrie By Chloe Wyma GCC The Amie and Tony James Gallery By Murtaza Vali GIL BATLE Ricco / Maresca Gallery By Alex Jovanovich “INDIAN DRAWINGS” 33 Orchard By Cat Kron RICHARD DIEBENKORN AND WAYNE THIEBAUD Acquavella Galleries By Donald Kuspit JAMIAN JULIANO-VILLANI JTT By Lina Kavaliunas CHRIS OH Sargent's Daughters By Alex Garner Danielle Dean, True Red Ruin (Elmina Castle), 2017, HD video, color, sound, 9 minutes 39 seconds. DETROIT DANIELLE DEAN Museum of Contemporary Art Detroit (MOCAD) By Matthew Biro View of “Lucas Simões,” 2017–18. From left: Abismo n.83, 2017; White Lies 14, 2017; Abismo n.86, 2017. Photo: Tim Johnson. CHICAGO LUCAS SIMÕES PATRON By Daniel Quiles Simone Forti, Big Jump on Back, 1975–78, integral hologram, 56 3/4 x 20 x 13". LOS ANGELES SIMONE FORTI The Box By Catherine Taft VIJA CELMINS Matthew Marks Gallery | 1062 N Orange Grove By Suzanne Hudson View of “Bari Ziperstein,” 2018. From left: Be a man!, 2017; No, we didn’t reap or plough—we just had a picnic in the field, 2017; The price of glasses of wine, 2017. Photo: Lee Tyler Thompson. REVIEWS BARI ZIPERSTEIN By Andy Campbell Nadia Myre, Pipe, 2017, ink-jet print, 48 x 72". MONTRÉAL NADIA MYRE Montreal Museum of Fine Arts By Ara Osterweil Simon Roberts, Grenfell Tower, North Kensington, London, 19 June 2017, C-print, 48 × 60". LONDON SIMON ROBERTS Flowers | Cork Street By Sylwia Serafinowicz LEO FITZMAURICE The Sunday Painter By Gilda Williams Genieve Figgis, The Happy Accidents of the Swing (after Fragonard), 2018, acrylic on canvas, 47 1/4 x 39 3/8". PARIS GENIEVE FIGGIS Almine Rech | Paris By Riccardo Venturi ANNA SOLAL New Galerie By Mara Hoberman Alex Cecchetti, Erotic Cabinet, 2017, sixty-nine mixed-media drawings, oak, gla