Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void an early-adopter university-based virtual production studio at Flinders University in South Australia. From a cross-disciplinary short virtual production film to a VR simulation of the last 100 seconds of life of earth to the live performance of the virtual band Big Sands to augmented and extended reality to archaeological projects this collection captures the potential applications of virtual production technology and provides a framework for cross-disciplinary work and industry collaborations both in a university context and beyond. It offers insight into the development of virtual production courses and encompasses research into theories of performance liveness methods for co-creation gender in virtual production careers and object digitization and its representation while highlighting significant pathways of industry partnerships alongside experimental art practices. Creative technology and interdisciplinary practitioners researchers students and teachers will find inspiration and practical guidance in these chapters. The Open Access version of this book available at http://www.taylorfrancis.com has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. |Beyond Virtual Production Integrating Production Technologies | Filmmaking & Post Production