This book contributes to the literary history of eighteenth-century womenâs life writings, particularly those labeled âscandalous memoirs.â It examines how the evolution of this subgenre was shaped partially by several innovative memoirs that have received only modest critical attention. Breashears argues that Madame de La Toucheâs Apologie and her friend Lady Vaneâs Memoirs contributed to the crystallization of this sub-genre at mid-century, and that Lady Vaneâs collaboration with Tobias Smollett in The Adventures of Peregrine Pickle resulted in a brilliant experiment in the relationship between gender and genre. It demonstrates that the Memoirs of Catherine Jemmat incorporated influential new strategies for self-justification in response to changing kinship priorities, and that Margaret Coghlanâs Memoirs introduced revolutionary themes that created a hybrid: the political scandalous memoir. This book will therefore appeal to scholarsinterested in life writing, womenâs history, genre theory, and eighteenth-century British literature.