First published in 1992 To All Appearances is a book in which ideology and performance shadow each other in a theoretical inquiry which ranges widely across historical periods and cultures. The author’s concerns-which include the social meaning of illusion and the cultural manifestation of power-take the reader from Jacobean drama to the pageantry of Robert Wilson; from Eleanora Duse to Laurie Anderson; from the puppet theater of Kleist to Kantor’s theater of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles. A brilliant uncontainable and chastening look at the rhetoric of critical theory in relation to performance and ideological practice this is undoubtedly a book for the twenty-first century. It returns us through all appearances to the unavoidable question in art in politics in the society of the spectacle: what after all is the future of illusion? |To All Appearances Ideology and Performance
